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From the artist. to the artist

Neriage with Curt Benzle

12/2/2019

3 Comments

 
Neriage (neriagi), also known as agateware, is a Japanese word that describes the process of blending two, three or four colors of clay in a random fashion. The color range can be very complex or completely random. The clay is not glazed and gives an organic, marble look when fired.
Picture
Neriage with complex color ranges on the left and more random red and white colors in the image on the right.
Picture
Scraping the clay to get to the great colors.
​Potters use this colored clay technique for handbuilding as well as wheel throwing.

Throwing colored clay on the wheel is more challenging because the centering process must be short and precise.

The longer it takes to center the clay or even for the throwing process, the more the colors mix or combine until there is almost no marble left.
​
Trimming on the wheel brings out the beauty of Neriage.
Picture
Wheel throwing with colored clay
Curtis Benzle is a professional artist and teacher with more than 40 years experience in ceramics. His fine translucent porcelain work is included in many private and public collections. Curt presents the colored clay e-course at TeachinArt.

Links:
E-courses (online workshops) at TeachinArt
Demonstrations, tips and techniques (Tips shared by teachers of TeachinArt)
Preview e-courses (take a quick peek into our online workshops)
Art Instructors (Meet our online art instructors)
Colored clay e-course (See more of the online workshop with Curtis Benzle)
Tags:
#neriage #agateware #coloredclay #teachinart #curtisbenzle #colorblending #onlineschool
3 Comments
sandra carpenter
10/21/2023 05:04:18 pm

Curtis, for the past 6 months I have been using white cone 6 clay with my colored clay work and I am having a seperation problem with my Neriage bowls. I am working at a local school and I understand that the clay is a mix of porcelain and white clay.
I no longer have my own kiln or wheel so this is now what I have to work with. Do you have any suggestions on how I can fix this problem before the pieces are fired? It seems very random. Should the pieces be TOTALLY DRY before firing (I think the teacher rushes the firing). I have lost several bowls but the cups seem to be okay. I would appreciate your ideas. Thanks , Sandy

Reply
Curtis Benzle link
10/24/2023 03:37:11 pm

Great to see your work Jan. Magnificent

curt

Reply
Curtis Benzle link
10/24/2023 03:47:38 pm

Hi Sandy. The clay(any clay) should be bone dry before bisque. It is hard to understand your question as both porcelain and white clay are compounds of several minerals and probably both include the same ingredients. just make certain to only use one clay(as in only clay from one bag) and you should be ok. If you have more questions my email is [email protected]. ( I will not see it at this blog location so please use my email)
curt

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  • Home
  • Online workshops
    • AAMAL (All Artists Making A Living)
      • Success stories
    • Alternative firing
    • China painting
    • Colored clay
    • Faceted Teapot set
    • Glazing made easy
    • Glazing with Ron Roy
    • Handbuilding porcelain dinnerware
    • Handbuilding Pottery For Beginners
    • Introduction to segmenting
    • Pinching Teapots for Beginners
    • Porcelain handbuilding
    • Porcelain Tips for Wheel Pottery
    • Post-fired finishes
    • Sculpted Clay Creatures
    • Shino glazing
    • Soluble Salts
    • Take throwing to the next level
    • Understanding Porcelain
    • Wheel thrown porcelain dinnerware
    • Wheel thrown teapots
  • Instructors
    • Antoinette Badenhorst
    • Bob Rundquist
    • Connie Christensen
    • Curtis Benzle
    • David Voorhees
    • John Shirley
    • Lynn Barnwell (Guest Artist)
    • Marcia Selsor
    • Marie EvB Gibbons
    • Nan Rothwell
    • Paul Lewing
    • Ron Roy
    • Sam Clark
  • Registered students
  • Contact us
    • About us
  • Tips / demos
  • Blog