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9/26/2019

Mark Goudy with translucency and water soluble metal salts

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Mark Goudy was named the Emerging Artist in Ceramics Monthly magazine of May 2010.

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His work was selected for collections in
  • Keramikmuseum Westerwald, Höhr-Grenzhausen, Germany
  •  Yingge Ceramics Museum, New Taipei City, Taiwan
  •  California State Polytechnic University Ceramics Collection, Pomona, CA, USA
  •  National Museum of Slovenia, Ljubljana, Slovenia
  •  Forrest L. Merrill Collection, Berkeley, CA, USA
Here is Mark in his own words.
I was born in 1955, in a small university town on the banks of the Susquehanna River in central Pennsylvania, USA. At age 7, my family moved to Washington DC where I lived during my formative years. 
​I left home at age 19 and moved 4500 km to the west coast for university, and have remained here ever since.

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My formal education lies mostly in science and engineering: a Bachelor of Science in Biology from the University of Oregon, and a Master of Science in Electrical Engineering from California State University in San Jose. I did take various art classes along the way, but it wasn't until much later in life that I even thought about pursuing a career in ceramics. My interest in music and my hobby of building electronic music synthesizers propelled me into the study of electrical engineering in my late 20s. I ended up working for twenty years as a logic design engineer in the computer graphics industry (including Pixar, Silicon Graphics, nVidia.)
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After my mother passed away in 2004, my wife Liza had the idea for us to take a raku class at a local Bay Area adult school, an homage to my mother's creative spirit. Following a twenty-year career working as an engineer in the virtual world of computer chip design, I found the process of clay work to be a cathartic experience - resonating at some deep unconscious level.

The physical nature of handbuilding unique pieces from this plastic medium was immediately satisfying. Soon I was applying my analytical and problem-solving skills to the multivariate issues that surfaced in the clay studio, and exercising my right brain to construct forms in a totally intuitive way.
​
My approach to ceramics stems from the intersection of my love of the geometries of nature and abstract minimalist art. My mission as an artist is first to create a coherent visual language, and then learn to speak in that language. For me, certain forms evoke a sense of quiet stillness and mystery, and exist in a dimension apart from language. I don't fully understand it.
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My current process is to handbuild ceramic forms, joining sections of curved parabolic surfaces that I create using purpose-built plaster hump molds. After a series of scraping, paddling, and shaping transformations, the models are bisque fired and used to make multipart plaster molds. The final works are slipcast, using various clay bodies that I have created. ​

​I see slipcasting as a way to translate one clay body, which is optimized for building, into another clay body with different properties - of lightness or translucency for instance.
Sometimes I burnish earthenware forms to impart a smooth surface with a subtle grain pattern. For other works, there is a lot of wet-sanding to refine and even out the surface. I use no glazes in my work. Instead I have developed techniques for adding color and pattern through the use of metal salts, following the lead of renowned Norwegian ceramic artist Arne Åse. These compounds are the water-soluble form of the same metals used to color traditional ceramic glazes. After painting on, they soak into the bisque-fired clay, interact with each other, and become a permanent part of the surface after firing. All my work so far is low-fired, at cone 01 or below.
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​I believe this work is the culmination of a lifetime of disparate experiences and career paths coming together in ways that I can't fully comprehend.
Many thanks to Antoinette Badenhorst and her e-course on Porcelain handbuilding to help me understand the unique qualities of this beautiful material.

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  • Home
  • Online workshops
    • All Artists Making A Living (AAMAL) >
      • Success stories
    • Handbuilding classes >
      • Porcelain handbuilding
      • Understanding Porcelain
      • Colored clay
      • Handbuilding Pottery For Beginners
    • Wheel thrown classes >
      • Porcelain Tips for Wheel Pottery
      • Take throwing to the next level
    • Teapot classes >
      • Pinching Teapots for Beginners
      • Faceted Teapot set
      • Wheel thrown teapots
    • Porcelain dinnerware >
      • Wheel thrown porcelain dinnerware
      • Handbuilding porcelain dinnerware
    • Glazing & Firing >
      • Shino glazing
      • Glazing made easy
      • Alternative firing
    • Painting >
      • China painting
      • Post-fired finishes
    • Woodworking classes >
      • Introduction to segmenting
    • Preview E-courses
  • Instructors
    • Antoinette Badenhorst
    • David Voorhees
    • Marcia Selsor
    • Connie Christensen
    • Nan Rothwell
    • Lynn Barnwell
    • Marie EvB Gibbons
    • Paul Lewing
    • Curtis Benzle
    • Robert Rundquist
  • Registered students
  • Contact us
  • About us
  • Tips and demos